![]() ''But they're quirky and interesting musically, and are always fun for audiences. Hair and Makeup Trainee / makeup artist trainee: crowd Adele Firth. ![]() Crowd makeup and hair Artist Grace Firmin. hair stylist / makeup artist Amy de Rees. ''The portraits may be more a picture of how Thomson felt in the presence of that person on that particular day than they are a true portrait of that person,'' Mr. hair stylist / makeup artist Andrea Cracknell. What came out was a dense, dramatic, etudelike piano piece with two lines of clashing major chords. It is one of Gogol's most demonic of tales, hinting at some of his earlier works such as 'St. I was expecting something sort of Italianate and easygoing. The Portrait (short story) ' The Portrait ' ( Russian: ) is a short story by Russian author Nikolai Gogol, originally published in the short story collection Arabesques in 1835. In 1984, when I was just beginning work on a biography of Thomson, he did a portrait of me at his apartment on a steamy day in August. I can vouch for those who are surprised by their portraits. A modern movie musical with a bold take on the classic fairy tale. What does he think of me?' It's such a finger puzzle.'' With Camila Cabello, Nicholas Galitzine, Idina Menzel, Pierce Brosnan. Busby was Thomson's downstairs neighbor at the Chelsea Hotel. ''Mine is complicated and very difficult to play,'' said Gerald Busby, the composer and pianist who will play his own and other portraits in the festival. The subjects are often surprised by their portraits. La Guardia (on commission from the conductor Andre Kostelanetz) that was sketched at City Hall while the Mayor was running New York. Only once was the subject of a portrait allowed to talk: in 1942, when Thomson did an orchestral portrait of Mayor Fiorello H. The portraits are ''like a diary,'' he said, a musical photo album of Thomson's friends, among them Aaron Copland, Lou Harrison, Paul Bowles, Jane Bowles, Peggy Guggenheim, John Houseman and Picasso (whose portrait is a hard-driving, bitonal piano piece called ''Bugles and Birds''). Distler also finds the pieces interesting for the social history they tell. Thomson believed that their enormous stylistic scope constituted ''circumstantial evidence'' that they were indeed portraits. How much these pieces resemble the various subjects is debatable. For the composer, the sitting fostered a kind of psychic transference that was essential to the process. Talking was not allowed, but reading, daydreaming or even sleeping were. His subjects would ''sit'' about five feet away. Wiley Hitchcock, Thomson never varied his procedure. Why not mimic their practice as well and have his subjects ''pose'' for him? Once he tried it, he knew he was on to something.įrom that time until 1988, when he composed his last completed work, ''Two Birds,'' a musical portrait, for piano, of the musicologist H. Living in Paris at the time, he was surrounded by painters. Always looking for a way to avoid the premeditated, Thomson decided to adapt her method for music. When he met Gertrude Stein during the mid-1920's, he was struck by her free-association literary portraits, which she wrote in one sitting. Thomson's approach to composing musical portraits was mostly inspired by nonmusicians.
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